For a second on the set of The Underground Railroad, Barry Jenkins doubted his choice to forged William Jackson Harper. That they had reached probably the most intimate scene of the restricted sequence, wherein Thuso Mbedu’s Cora and Harper’s Royal, the free man who’s simply rescued her from captivity, declare their love for each other. Within the gorgeous sequence set to “Clair de lune,” the pair have been to disclose their most bare selves. However first got here time for Harper to take off his shirt. “I had no concept William was so jacked!” Jenkins says of his rapid response. (No, he hadn’t seen The Good Place.) “I used to be frightened. I needed to hold reminding him, ‘Please breathe. You’re nearly too jacked. You’re a free man!’”
That interplay helped the director “break the ice” earlier than calling motion—a becoming little bit of levity, given the respite Royal supplies The Underground Railroad, each in Colson Whitehead’s 2016 novel and in Jenkins’s 10-part Amazon Prime Video adaptation. The character is “a really sort, heat, protected house,” as Jenkins places it, in a manufacturing that’s in any other case something however. The 2 episodes set in Indiana, which observe Cora and Royal’s budding connection, really feel like a basic Barry Jenkins film throughout the present’s epic scope, a sweeping romance full with a swoony rating and textured close-ups. Whereas the bond permits new aspects of Mbedu’s full-bodied efficiency to shine via, it additionally makes room for a few of Harper’s richest display screen work to this point.
Jenkins knew Harper was his man earlier than even seeing his face. “Going via a bunch of [audition] tapes, I began taking part in his with out trying on the display screen,” the Oscar–profitable filmmaker recollects. “His voice was so soothing.” (Jenkins would later inform Harper, “You sound like Sam Jackson, however like he’s studying a lullaby.”)
The Underground Railroad got here at an opportune time for Harper, who’d simply wrapped his Emmy–nominated, four-season run on The Good Place and began touchdown extra movie jobs, together with the 2019 horror hit Midsommar (which Jenkins had seen). After securing the a part of Royal, Harper learn Whitehead’s e-book to get a fuller image of the function. “[It] described him as being considerably unique in demeanor, a man that appeared to hold himself with plenty of confidence,” Harper, 41, says. “In plenty of methods, Royal is forward of his time…. He manifests himself in areas in a way more subdued method.”
Born a free man on this fictional rendering of mid-1800s America, Royal contrasts sharply with Underground’s protagonist, Cora, who arrives in Indiana—particularly, the unbiased rural Black group of Valentine—as a runaway with a traumatic previous. He presents himself elaborately within the novel, donning a cowhide vest and glasses. Harper and costume designer Caroline Eselin scaled again on the equipment to emphasise the character’s relaxed method, however they did hold the cowboy hat.
Royal’s first prolonged scene with Cora finds the sequence settling into the Midwestern milieu. After finishing a number of takes, Jenkins realized it ought to play like a meet-cute, and refined the back-and-forth. Royal compliments Cora’s slight smile within the script—“You’re actual fairly once you smile like that,” goes the road—however their chemistry emerges extra in an improvised dialogue that follows. “I whispered to Thuso, ‘I need you to say it [back]…. Open him up through the use of his flirtation again on him,” Jenkins remembers. The ensuing, smoldering look between Harper and Mbedu marks a pivotal shift. “[Harper] was in a position to not solely attract viewers, however attract Cora, and permit her to slowly deliver her guard down,” says Joi McMillon, Jenkins’s longtime editor (Moonlight, If Beale Road May Speak).
Harper fell into a quick, simple rhythm with Mbedu, although he needed to observe at being her information. Royal teaches Cora numerous expertise for day-to-day survival that Harper himself didn’t, in a phrase, possess. On shoot a gun: “I’m not a gun man. It was a pistol with solely 5 chambers—that was really appropriate on the time—and so [I had to] discover ways to shoot and appear like I knew what I used to be doing.” On driving a horse: “Since childhood I’ve been on a horse precisely one time. It took hours of me driving, simply holding on for pricey life.” In all this, Harper needed to assume Royal’s confidence. “Getting comfy was the enjoyable of it,” he says.
Consolation was additionally the important thing to Royal and Cora’s courtship, irrespective of its bittersweet undercurrent. Harper centered on “mild eye contact” and trusted his impulses, from taking his hat off in Cora’s presence—“That’s what you do in entrance of a girl”—to “leaning into hope and happiness” wherever doable. It’s how he got here to know the vitality of this specific love story: “In terms of the Black expertise in America, there are plenty of actually terrible issues which have occurred, however that doesn’t imply there hasn’t been magnificence and hope on the similar time.”
But Royal’s journey inevitably involves a bloody, tragic finish. Within the present’s penultimate episode, a white mob descends on Valentine and its sacred church, massacring the group in one in all Jenkins’s most brutal, viscerally filmed set items. Every little thing Royal cherishes will get destroyed. He’s fueled by revenge and grief. This introduced Harper to a darkish place: “I am not a violent man—in the event you punch me I flip to mud—however in that second I used to be livid and crammed with rage.” Jenkins holds a vivid reminiscence of watching his star plumb these depths. “Will received his arms round this man’s throat, and he was simply screaming,” he recollects. “That’s not post-production you hear. That’s really Will.” Jenkins really advised the on-set therapist to “hold an eye fixed” on Harper, fearing that he was “slipping.” (Jenkins personally sought the therapist’s counsel all through the shoot, maintaining delicate to the extraordinary materials he and his forged have been engaged on, although Harper told The Guardian final month that he by no means did.)
Harper displays now on feeling so overcome—“If that kind of dichotomy exists in me, it exists in lots of people, and it actually existed in Royal. It’s one other aspect of us.” For Jenkins, the actor delivered in that righteous mode till Royal’s literal final gasp. “It’s one take; there’s no lower,” the director says of the scene wherein Royal is shot and killed, left nonetheless on the bottom along with his eyes vast open. “William did such a terrific job. His loss of life is so good!” Discuss making each second depend.
Extra Nice Tales From Self-importance Truthful
— How the 2021 Emmys Will Outline One in every of TV’s Strangest, Most Important Years
— We’re Predicting the 2022 Oscar Winners. What May Go Mistaken?
— V.F. Portraits: Gillian Anderson, Hugh Grant, Jurnee Smollett, and Extra
— Are the Daytime Emmy Nominations Even Weirder Than Typical?
— Kate Winslet Has Now Entered the Most Thrilling Actress Race on the Emmys
— From the Archive: Who Stole the 2000 Oscar Statuettes?
— Join the “HWD Daily” newsletter for must-read business and awards protection—plus a particular weekly version of Awards Insider.